Robert Barsky's Vanderbilt Site

Journal Work

Research Laboratory

Maymester in Montreal, May of 2008

FR394 Intellectuals in France and America

ENGLISH 288 Romantics to the Beat Generation

FREN294 Zola: Naturalist to Activism

JS 115F From Einstein to Chomsky: Radical Approaches to Language

ENGL244, Reading Fiction as Theory



Maymester in Montreal, spring 2008
ENG272  “From ‘Criminal’ Montreal to Social Justice: Law, Literature, Dance and Music in America’s ‘Paradise’”

Monday 3:00-6PM; Tuesday-Friday, 10-1PM, May 8-25, 2008

Professor Robert Barsky
Office: Furman Hall 227
Phone: 322-2652
robert.barsky@vanderbilt.edu

Throughout this century, Montréal has also been variously described as a “paradise,” a “den of iniquity,” or a “city of ill-repute” which was run by local mafias and criminals. This is the city where jazz exploded due to the unlikely combination of railway porters and prohibition in the United States, leading Montréal to become the very seat of jazz for a period in the 1930s and 40s (and every summer it plays host to the world’s largest jazz festival). Alongside the jazz came an appetite for late nights, good food, and a general hedonism that inevitably came up against the heavy conservatism of the Quebec Church. It’s not surprising, therefore, that Montreal was the site of a “quiet revolution” in the 1960s, inspired by the artwork of Borduas and signatories of the “Global Refusal,” a manifesto of modern art, as well as a more vocal upheaval by the “Liberation Front of Quebec in the 1960s and 70s. From this perspective it is also not surprising that Montreal has become a key international center for work in Social Justice.

Today, Montréal is a place of avant-garde art, notably in dance and performance arts, and it is a place in which experimental film, visual arts and creative work emanate from a whole range of sectors and cartiers. It’s home to Rufus and Martha Wainright, to La La La Human Steps, to Oxygène, the Cirque de Soleil, and a remarkable Anglophone and Francophone mixture of cultures, traditions and histories. Montréal is another “America” which combines historical populations of Jews and Catholics with emerging communities from around the world in a “multicultural” framework, which contributes to the government and local imperative of promulgating work in social justice.

It’s no wonder why Montreal is such a cosmopolitan place, with people like Pierre Elliot Trudeau or  Leonard Cohen as its "ambassadors" on the internatinal scene. We will visit the haunts and communities of these remarkable individuals, and how their work emerged from a small group of  students and friends will be traced in the streets, archives and oral histories of people who know him. So too with Mordecai Richler, whose work defined the cosmopolitanism of Montréal and has become a mainstay of contemporary American fiction. Richler’s notorious bashing of the “indépendantistes” and his descriptions of relations between Catholics and Jews are living texts, particularly in the area of the city described so vividly in the Apprenticeship of Duddy Kravitz, Solomon Gursky Was Here, or Trevanian’s The Main. We shall look at these and other texts by Montréal writers, and situate them within the fascinating context of this vibrant crossroads between Europe, Canada and the United States.
 
With texts in hand, for continued consultation, Professor Barsky will in the third week bring students in this course to live in downtown Montreal, where they will be introduced to a unique bilingual multicultural setting. We will begin with tours of “Jewish Montreal”, from “The Main” to the old Jewish Ghetto around McGill. This will be complemented to visits to the key Catholic institutions in the city, including the St. Joseph’s Oratory, the Notre Dame Church, and key historical sites in “Old Montreal.” Students will further enhance their understanding of Quebec and Canadian society through visits to the cities many museums, cultural centers, sports venues (including the Olympic site and the hockey arenas, notably the Montreal Forum) and monuments, allowing them to have a privileged look at a city which once dominated the entire Eastern seaboard of North America all the way down to Louisiana.
 
Course requirements:
Keep a journal of activities and thoughts about what is seen and learned about Montreal prior to and during the trip.
One oral presentation based upon the journal.





Monday May 12th: 3:00-6:00
Subject: French-English Relations
Texts: History of Quebec timeline
in English:
http://www.quebec400.qc.ca/en/hist_chronologie.asp; http://en.wikipedia.org/wiki/History_of_Quebec
in French: http://perso.wanadoo.fr/alain.perron/quebechistoire.htm
Poetry: “Speak White”
Film: excerpts from "Jesus of Montreal"

Specific subjects to follow up on today's discussion:
Furs and trapping:
http://www.gov.mb.ca/chc/archives/hbca/index.html, on the history of the Hudson Bay Corporation.
Native Americans
http://www.kstrom.net/isk/mainmenu.html on the history of Native Americans
Canadian History
http://www.islandnet.com/~jveinot/cghl/history.html

Tuesday May 13th: 10-1
International Law and Multicultural Montreal
Texts: Africans in Quebec and Canada,
http://www.qesnrecit.qc.ca/mpages/index.html
Text: Canada, Government Publications. House of Commons. An Act for the Preservation and Enhancement of Multiculturalism in Canada.
Film and Text: Dany Laferrière, Comment faire l’amour avec un nègre sans se fatiguer (text and film with English subtitles).
Text: Immigration and Refugee Act, online at:
http://laws.justice.gc.ca/en/I-2.5/64755.html 
International Law in Montreal
Film: “Octobre” and “Speak White”. Text: “Speak White”
Text: Canadian Charter of Rights and Freedoms:
http://canada.justice.gc.ca/Loireg/charte/const_en.html 


Wednesday May 14th: 10-1
Immigrant Montreal
Text: Zachary Baker, “Montreal of Yesterday” A Snapshot of Jewish Life in Montreal During the Era of Mass Immigration.” An Everyday Miracle: Yiddish Culture in Montreal, ed. Robinson, Ira, Pierre Anctil and Mervin Butovsky. Montreal, Canada: Véhicule Press, 1990, 39-52.
Film and text: “The Apprenticeship of Duddy Kravitz”.
Roman Catholicism and Montreal
Text: Elaine Kalman Naves, “Keeping the Flame Alight: Montreal As Home to Two Literary Starts,” Putting Down Roots: Montreal’s Immigrant Writers (Montreal: Vehicule Press, 1998), 50-71.

Thursday May 15th: 10-1
Revolutionary and Criminal Montreal
The October revolution, the Quiet Revolution, the FLQ and the PQ; Jazz and criminality.
Film: October
Text: Swinging in Paradise

Friday May 16th: 10-1
Hockey in Montreal and in Tennessee
Elvis in Tennessee and in Montreal
films: "Elvis Gratton" and "The Rocket"

BNA-YUL Sunday 18 May  2008, Delta Air Lines Inc - Flight DL  5664

Sunday, May 18th, Montreal!Residence Inn Montreal Westmount >> 2170 Lincoln Ave.Montreal, H3H 2N5 514-935-9224;
 
Activities:
In order to completely immerse students in Quebec culture, we will attend (roughly) 2 plays, 2 dance spectacles, two theatre productions, and several (outdoor and indoor) cultural events, in addition to the central "sites" of the city, including the museums, the old port, and so forth. 

There's a good website with history and links at: http://perso.wanadoo.fr/alain.perron/Pagebanniere.htm 

 Monday, May 23rd: 

9:00 AM Meeting with Julius Grey!

Julius H. Grey (born 1948) is a Canadian lawyer and professor, and one of Canada's leading socialist and minority rights advocates. Born in Wrocław, Poland, he received a Bachelor of Arts degree in 1971, a Bachelor of Civil Law degree in 1971, and a Master of Arts degree in 1973 from McGill University. Grey has been a member of the Quebec Bar and the Canadian Bar Association since 1974. Since 1976 he has been involved in numerous associations such as the Canadian Foundation for Individual Rights, serving as its president from 1985 to 1988. He has been a professor of law at McGill University from 1979 until 1993. Grey assisted in annulling a stipulation in the Charte de la Langue Française (Bill 101) that forbade the application of different languages on business signboards. Presently, French must merely be the main language but others are allowed.[1]

Grey defended La servante écarlate by Margaret Atwood, the French version of The Handmaid's Tale, in the French version of Canada Reads, broadcast on Radio-Canada in 2004. Grey successfully defended La Presse Chinoise against Falun Gong's defamation lawsuit in 2005. Grey is rumoured to be a future star candidate for the New Democratic Party in Montreal, following that party's successful capture of Outremont in a by-election by Thomas Mulcair on September 17, 2007


11:00 AM
The class will embark upon a many-mile walk from Westmount,
down Ste Catherine Street, from English to French Montreal. Along the way, discussions of "class"and its relationship to language, with stops in the fur district of Montreal, at the Place des Arts, through the cartier latin and to the Université du Québec, with stops in the Literary Studies Department, the Cinema area, and a tour of this unusual campus.

Monday evening: The Upstairs Jazz Club!
http://www.upstairsjazz.com/
Perhaps Montreal's finest small jazz venue, this tiny club packs them in for well-known locals and visiting groups. Done up in classic jazz-club style, with posters of the greats festooning the walls, this downtown hideaway is perfect for dinner, a night on the town or both. The menu, under the stewardship of chef Juan Barros, features highlights such as Asturias Rack of Lamb (CAD28), and Pappardelle Verona pasta with roasted chicken and garlic (CAD17). There are occasional cover charges for major concerts.

Tuesday May 20th: meeting with
Sophie Dorais, Ministry of Immigration, Government of Quebec
http://ejournals.library.vanderbilt.edu/ameriquests/viewarticle.php?id=69&layout=html
Sophie Dorais Mc Gill University
B.C.L.-L.L.B. McGill University, Montreal, Canada, graduation in summer 2006
M.A. Political Science, McGill University, 2003
B.A. Political Science, Laval University, Quebec, Canada, 2001
Legal experience with refugee claimants detained on immigration grounds in Canada (Montréal)
(an excerpt of Dorais' volunteer work with immigrants prior to joining the government Ministry)
The life in Bourj el Barajne refugee camp is so rich and full of surprises
that it is hard to describe...no words as strong enough to depict the
fantastic human experience that I am living here. This morning, I woke up,
ready for another amazing day. I went to the nursery to teach english to
my 27 students' class. The youth, aged between 10 and 12 years old,
were full of energy to spend! Today, we discussed about sports and hobbies and played a
thrilling game of pictionary. The students really enjoyed it. Then, we
played another group game and the time was over...one hour passes so quickly
when you have fun! After, I ran to the Najdeh building (an organization
with whom we work) to teach my French course at 11h30: j'aime, je n'aime
pas, je suis content, je suis triste, je suis fachŽ..., we have studied how to
express feelings and the students realized and amazing collage about the
different things they like...
At 12h30, no time to rest...I ran again to the Women Center to teach
my other English class, this time, with older students. I gave them the
coorected text of "hopes and dreams" that they wrote the previous
class and they wrote the final version of a new paper, painted it and decorated it. I was very
proud of their work: those texts will be presented to Canadians when we go back.
It is so moving to read about their dreams and ambitions when you
know the exclusion and difficulty they faced here daily.
After my last class, I went to visit, Suraya, my new friend, an old woman
who owns a store inside the camp. She told me about her life in the camp,
life in Palestine, her husband who died, her family...I have a lot to
learn from this strong women and all the other strong and extraordinary people
that I am meeting here.
Here I am, at the Internet cafe inside the camp...and I'll come back home
to prepare the material and the activities for the courses of tomorrow...the
week is passing so quickly!
I already know that I am living one of the most meaningful experience of
my life and that I'll come back transformed...I am so glad to have the chance
to be here this summer and I sincerely wish that more people could experiment
it.
Sophie Dorais
Volunteer Summer 2003
Wednesday, May 23rd:
Brigitte Giasson and Marc Trudel for discussion of Giasson Designs, and the Montreal aeronotical industry

 

Value, personalized design, functionality and lasting quality
Changing the face of executive aircraft interiors

Time is the great challenge. Today’s executives need to make every minute count – whether they’re working or relaxing. With new executive jet requirements, the need for the aircraft to go from boardroom to bedroom is even greater. Over the course of its 12-year history, Giasson Design has been a pioneer in ergonomics and interior design. We’re at the forefront of a new school of aircraft interior design that is turning executive aircraft interiors into comfortable, livable, multi-functional spaces. We have built an enviable reputation in the industry for delivering far more than interior design. Clients such as Johnson & Johnson, International Paper, and the Bank of Nova Scotia have all turned to us not only for design but also to act as their advocate with the completion centers, ensuring on-time and on-budget delivery. Our services have since expanded to include green aircraft inspection and technical inspection into final delivery. We don’t just make nice things. We understand the importance of functionality in design, especially when dealing with limited spaces where executives spend hundreds – even thousands – of hours a year. Value, personalized design, functionality and lasting quality are what we’re about.

Lunch with Giasson Designs executives, Chez Levesque

Wednesday afternoon: the Montreal Museum of Modern Art
 
 

185, Sainte-Catherine Ouest (corner Jeanne-Mance)
Montréal, Québec
H2X 3X5


The Québec Triennial
May 24 to September 7, 2008

Rien ne se perd, rien ne se crée, tout se transforme

Stéphane Gilot
Sortie 4, action à Bruxelles dans le cadre de l’exposition Ex situ, 2007
Photo: Stéphane Gilot

Michel de Broin, Black Whole Conference, 2006. Photo: Michel de Broin

 The Musée d’art contemporain is pulling off a major coup this summer with the inaugural edition of The Québec Triennial: Nothing is lost, nothing is created, everything is transformed, scheduled to run from May 24 to September 7, 2008. This is one of the most ambitious exhibitions ever of contemporary Québec art, and one of the largest exhibitions in the museum’s history.

38 artists / 135 works / 3 years’ output

Resembling a vast research project, The Québec Triennial is the product of extensive fieldwork and deliberation by the museum’s team of curators, who combed countless exhibitions and artists’ studios to provide us with a group portrait of the current artistic scene in Québec. And for the first time in our history, all of the museum’s galleries will be devoted to a single show. This inaugural edition presents some 135 works in various media—drawing, installation, painting, performance, photography, sculpture and video—by 38 artists and collectives, including a program of video spot artworks created and screened in collaboration with Télé-Québec that was launched this past May 14. Most of the artists are showing at the Musée for the first time. Featured in the exhibition are:

David Altmejd
David Armstrong Six
Nicolas Baier
Gwenaël Bélanger
Patrick Bernatchez
Valérie Blass
Anthony Burnham
Cooke-Sasseville
Patrick Coutu
Michel de Broin
Raphaëlle de Groot
Manon De Pauw
Julie Doucet
Doyon-Rivest
Louis-Philippe Eno
Stéphane Gilot
Cynthia Girard
Romeo Gongora
Charles Guilbert et Serge Murphy
Adad Hannah
Isabelle Hayeur
Bettina Hoffmann
Jon Knowles
Manon Labrecque
Emanuel Licha
Lynne Marsh
Michael Merrill
Tricia Middleton                                                           
Adrian Norvid
Jonathan Plante
Yannick Pouliot
Jocelyn Robert
David Ross
Carlos et Jason Sanchez
Karen Tam
Chih-Chien Wang
WWKA (Women with Kitchen Appliances)
Etienne Zack


Nothing is lost, nothing is created, everything is transformed

Putting the exhibition together was quite a marathon. After an initial, exploratory phase, the curators drew up an exhaustive list of artists, covering all disciplines and generations. Then, over the summer and fall of 2007, they followed up with visits to studios and exhibitions, and numerous meetings as they refined their search for formally and thematically innovative practices that showed a high degree of mastery. Out of this process, 38 artists and artists collectives were selected. The showcased works all reflect an openness to the present in their approach to fundamental issues. They also attest to the vibrancy of Québec art, as well as its diversity and relevance. Only when it came down to the final selection was the title chosen, inspired by the nature of the works included and Lavoisier’s famous maxim: “Nothing is lost, nothing is created, everything is transformed,” which was in turn borrowed from Greek philosopher Anaxagoras of Clazomenae.

Musée curators Josée Bélisle, Pierre Landry and Mark Lanctôt, and Chief Curator Paulette Gagnon organized the exhibition, while their colleague Lesley Johnstone acted as project coordinator.
 

Wednesday evening, May 21st, supper in Chinatown at Nikai Restaurant, authentic Szechuan food, with Paul John, and Ying Su.

Paul John is a former professor involved in the integration of migrants into Quebec society at the Cégep St. Laurent, and Ying is an immigrant into Quebec. They discussed the work they are doing, and have done, in these areas.
 

Thursday, May 22nd
10AM-1PM: Denise Otis, the UNHCR Office, Montreal
The Office of the United Nations High Commissioner for Refugees was established on December 14, 1950 by the United Nations General Assembly. The agency is mandated to lead and co-ordinate international action to protect refugees and resolve refugee problems worldwide. Its primary purpose is to safeguard the rights and well-being of refugees. It strives to ensure that everyone can exercise the right to seek asylum and find safe refuge in another State, with the option to return home voluntarily, integrate locally or to resettle in a third country. In more than five decades, the agency has helped an estimated 50 million people restart their lives. Today, a staff of around 6,300 people in more than 110 countries continues to help 32.9 million persons.

1PM-2PM: Tour of the Immigration and Refugee Board

The Immigration and Refugee Board of Canada (IRB) is an independent administrative tribunal. The IRB is responsible for applying the Canadian federal Immigration and Refugee Protection Act and for making decisions on immigration and refugee matters. The IRB decides, among other responsibilities, who needs refugee protection among the thousands of claimants who come to Canada annually. The IRB reports to the Canadian government through the Minister of Citizenship and Immigration. The operations are overseen by the chairperson, currently Brian Goodman. The IRB consists of four divisions or tribunals.

  • Refugee Protection Division
  • Immigration Division
  • Immigration Appeal Division
  • Refugee Appeal Division (not yet in force)

Thursday afternoon: interview for "All in a Weekend", CBC Radio
http://www.cbc.ca/allinaweekend/recent.html

Thursday evening, Modern dance!
SPECTACLE DES FINISSANTS DE LADMMI - LADMMI
Du 22/05/2008 au 24/05/2008 - Montréal
L’école de danse contemporaine vous convie à Danses de mai – LADMMI Opus 2008, le spectacle de fin d’études de ses étudiants-interprètes de 3e année.
Au programme, des créations de Dominique Porte, Serge Bennathan, Alain Francoeur et Tedd Robinson — des œuvres inspirées d’une idée originale du concepteur de costumes Louis Hudon — le tout en collaboration avec le Conservatoire de musique de Montréal et Stéphane Ménigot, fidèle concepteur des éclairages.
20 h - Maison de la culture Frontenac (2550, rue Ontario Est)
514 872-7882
  
 Friday, May 24th 
10:30-2: Jardin Courvert and Refugee Actions meeting at 4039 Tupper (10-11). YMCA Jardin Couvert presentation. The presentation would last around two hours (or more, depending on questions your students might have and the length of the discussion). Broadly, Tania ghanem and other current staff of the Jardin Couvert will show the place and explain the work they are doing (integration and welcoming of asylum seekers, intercultural workshops...) as well as inevitably tackling the faith of asylum seekers arriving in Canada in general. Sophie Dorais will complete the discussion that evening, when she will speak about Action Refugiés and the work they are doing with asylum seekers in detention, followed by a presentation by an actual refugee on  his own experience as an asylum seeker just arriving in Montreal.

Friday afternoon: MUSEUM OF FINE ARTS and other sites
From the Art Association of Montreal to the Montreal Museum of Fine Arts
In 1860, Montreal was the largest city in British North America and the undisputed economic centre of Canada. Yet, although its artistic traditions dated back to the period of French rule, the city had no art school or museum. The aim of the Art Association of Montreal, as defined by its founding president Bishop Francis Fulford in 1860, was to fill these gaps by organizing exhibitions, establishing a library and offering art and design classes.

Saturday morning, May 24th
Epic walk from Westmount to Outremont: the "other side of the mountain"
Tour of McGillUniversity. With Mount Royal as a backdrop, McGill's main campus is set in the heart of downtown Montreal, one of the most exciting cities in North America, with three million residents and four universities. Its mix of cultures and languages makes it a dynamic place: museums, restaurants, skyscrapers, nightclubs and beautiful public parks make Montreal a great city in which to live. The campus is a mosaic of historic and modern buildings. Thanks to bequests over the years from generous donors, the downtown campus is an oasis of green and beauty in the centre of a safe, sophisticated and uniquely bilingual city. A short drive west of downtown, McGill's Macdonald Campus sits on the shores of Lac St-Louis. This mix of academic buildings, research laboratories and student and staff housing is home to the Faculty of Agricultural and Environmental Sciences. In 1813, James McGill, a Scottish immigrant who prospered in Montreal, bequeathed his 46-acre estate and 10,000 pounds to "the Royal Institution for the Advancement of Learning." McGillCollege (now McGillUniversity) was inaugurated in 1829 in Burnside Place, James McGill's country home. In 1843, the University constructed its first buildings, the central and east wings of the ArtsBuilding. The first women students were admitted in 1884.
Downtown McGill campus.

Saturday afternoon

Old Montréal!
Morning: Tour of Old Montreal and Visit to Notre Dame Basilica.Interior of the Notre Dame Basilica of Vieux Montreal.Notre-Dame's twin towers have served as an Old Montreal landmark since the neo-Gothic basilica was finished in 1829. Today they continue to be the focal point, where tourists disgorge from buses and calèche drivers line up for passengers. The interior glows with gilded statuary and gold-leafed fleurs de lys, and is home to one of the largest pipe organs in the world. The Montreal Symphony Orchestra performs its Christmas production of Messiah here.

Saturday evening, May 24th:

Forever Your, Marie-Lou To May 25 The English premiere of one of Michel Tremblay's classics translated by John Van Burek & Bill Glassco. Directed by Sarah Garton Stanley. Tue-Sat 8pm, Sun May 11, 7pm, Matinees: Sat-Sun 2pm, Wednesday May 7, 14, 21 1pm. Centaur Theatre 53 St-Francois Xavier. (514) 288-3161

departure Sunday 25 May

Delta Air Lines Inc - Flight DL  4449Status:Confirmed





For more information, please contact Robert F. Barsky.
copyright Robert F. Barsky, 2006