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Poetry and Apocalypse: Theological Disclosures of Poetic Language
Stanford University Press, 2008 available from Stanford University Press
Table of Contents and Reviews
This book offers an interdisciplinary synthesis, combining a philosophical theory of dialogue, a literary-critical interpretation of poetic language in the apocalyptic tradition, and a negative theology that renews certain fundamental impulses and insights of revealed religion. It is concerned with finding the premises for dialogue between cultures, especially between religious fundamentalisms, like the Islamic, and modern Western secularism. The thesis is that dialogue in general, in order to be genuinely open, needs to be able to open up to such a possibility as religious apocalypse in ways that can be understood best through the experience of poetry. The book interprets the Christian epic and prophetic tradition as a secularization of religious revelation that nevertheless preserves an understanding of the essentially apocalyptic character of truth and its disclosure in history. The usually neglected negative theology that undergirds this apocalyptic tradition provides the key to a radically new and open understanding of apocalypse as inextricably religious and poetic at the same time.
Dichtung und Apokalypse sucht nach den Prämissen eines Dialogs zwischen den Kulturen, insbesondere zwischen religiös-fundamentalistischen und modern-säkularistischen Haltungen. Die These ist, dass Dialog generell, um wirklich offen zu sein, sich für die Möglichkeit der religiösen Apokalypse öffnen muss. Eine solche Möglichkeit lässt sich am besten über die dichterische Erfahrung verstehen. In diesem Sinne wird die christliche Epik in die Tradition der prophetischen Überlieferung eingebunden und als eine Säkularisierung der theologischen Offenbarung ausgelegt. Ihre Sichtweise besteht dennoch auf dem wesentlich apokalyptischen Charakter von Wahrheit und ihrer Erschließung im Laufe der Geschichte. Die oft vernachlässigte Negative Theologie, die dieser apokalyptischen Überlieferung zu Grunde liegt, bietet den Schlüssel für ein neues und offenes Verständnis von Apokalypse in ihrer stets zugleich dichterischen wie religiösen Natur.
ON WHAT CANNOT BE SAID
These volumes propose to bring into comparison with one another some of the most enduringly significant attempts, in different disciplines within Western culture, to define the limits of language, and perhaps to exceed them. The tradition of negative theology will be compared with poetry of the ineffable and philosophical reflections on language that tend to define areas of inviolable silence. As pervasive a problem as the language of the Unsayable in Western tradition can best be treated at the intersection between disciplines, signally philosophy, theology, and poetry. It is, moreover, not the property of any one national tradition nor is it peculiar to any historical period and demands the wide-ranging comparative treatment that this volume proposes. Bringing together different disciplinary and cultural backgrounds is part of a design to catalyze open dialogue on “what cannot be said” lurking as an ineluctable provocation perhaps in all discourses. An anthology of classical and contemporary readings that have been milestones in the apophatic tradition is a resource that is most necessary to serve this dialogue that is already well underway and gaining in intensity.
Alois Halbmayr and Gregor Maria Hoff:
"Einen wichtigen Schritt auf dem Weg zu einer Geschichte der Negativen Theologie machen die beiden jüngst erschienenen, vorzüglich editierten und kommentierten Reader von Franke, William (Hg.), On What Cannot be Said. Appophatic Discourses in Philosophy, Religion, Literature and the Arts. Vol. I: Classic Formulations; Vol. II: Modern and Contemporary Transformations, Notre Dame 2007. Die Einleitungen lassen sich bereits als eine komprimierte Geschichte der Negativen Theologie lesen."
(The two superbly edited and commented volumes of the recently published reader of William Franke represent an important step on the way to a history of Negative Theology. On What Cannot be Said. Appophatic Discourses in Philosophy, Religion, Literature and the Arts. Vol. I: Classic Formulations; Modern and Contemporary Transformations, Notre Dame 2007. The introductions alone can be read as a compressed history of Negative Theology.)
From Negative Theologie Heute? Zum aktuellen Stellenwert einer umstrittenen Tradiition, eds. Alois Halbmayr and Gregor Maria Hoff (Freiburg-Basel-Wien: Herder, 2008). Introduction, p. 10.
Reveiwed by Andrea Aguti, Humanitas
DANTE'S INTERPRETIVE JOURNEY
Dante's Interpretive Journey
University of Chicago Press, 1996 Religion and Postmodernism series
Franke, William Dante's Interpretive Journey. 261 p. 6 x 9 1996 Series: (RP) Religion and Postmodernism Series
Dante’s Interpretive Journey proposes a theory of the existential, theological structures of interpretation by which our lives in language are constructed. It brings the theological hermeneutics of Dante’s poem into contact with modern philosophical hermeneutics as developed particularly by Heidegger and Gadamer. It explores a variety of theories of interpretation, medieval and modern, in an attempt to open original insights into the nature of interpretation, notably its existential ground and openness to transcendence in directions traditionally conceptualized in terms of religious revelation.
Sample Pages
Incomplete on-line version
Short Description:
Critically engaging the thought of Heidegger, Gadamer, and others, William Franke contributes both to the criticism of Dante's Divine Comedy and to the theory of interpretation.
Reading the poem through the lens of hermeneutical theory, Franke focuses particularly on Dante's address to the reader as the site of a disclosure of truth. The event of the poem for its reader becomes potentially an experience of truth both human and divine. While contemporary criticism has concentrated on the historical character of Dante's poem, often insisting on it as undermining the poem's claims to transcendence, Franke argues that precisely the poem's historicity forms the ground for its mediation of a religious revelation. Dante's dramatization, on an epic scale, of the act of interpretation itself participates in the self-manifestation of the Word in poetic form.
Dante's Interpretive Journey is an indispensable addition to the field of Dante studies and offers rich insights for philosophy and theology as well.
TABLE OF CONTENTS
Preface
Introduction: Truth and interpretation in the Divine Comedy
1: Historicity of Truth
2: Truth through Interpretation and the Hermeneutic of Faith
3: Interpretive Ontology: Dante and Heidegger
Ch. 1: The Address to the Reader
1: The Ontological Import of the Address to the Reader
2: Reader's Address as Scene of the Production of Sense
3: Truth, Sendings, Being-Addressed: Deconstruction versus Hermeneutics or Dialogue with Derrida?
4: A Philological Debate: Auerbach and Spitzer
5: Petrarch, Boccaccio, and the Fiction of Philology
Ch. 2: Dante's Hermeneutic Rite of Passage: Inferno IX
1: Blockage
2: Passage
3: Ambiguities
4: Appendix: Hermeneutics, Phenomenology, and the Meaning of a Modern Understanding of Dante
Ch. 3: The Temporality of Conversion
1: Interpretation as Ontological Repetition and Dante's Fatedness
2: Ecstatic and Repetitive Temporality
3: Phenomenology of Fear/Anxiety in Inferno I
4: Dantesque Allegory and the Act of Understanding
Ch. 4: The Making of History
1: Relocating Truth: From Historical Sense to Reader's Historicity
2: Reality and Realism in Purgatorio X
3: Some History (and a Reopening) of the Question of the Truth of the Commedia
Ch. 5: Resurrected Tradition and Revealed Truth
1: Dante's Statius
2: Hermeneutics, Historicity, and Suprahistorical Truth
Recapitulatory Prospectus: A New Hermeneutic Horizon for Religious Revelation in Poetic Literature?
Core Bibliography of Recurrently Cited Sources
Index
Sample Pages
Google on-line version
Reviewed by:
James Torrens, Christianity and LIterature 45.3/4, Spring/Summer (1996): 416-18
Steven Botterill, Comparative Literature 50/2 (1998): 178-81 online review
Giuseppe Cavatorta, Lectura Dantis 20-21 (1997): 103-106
Stanley Benfell, Religion and Literature 31/2 (1999): 87-93
Joseph Luzzi, Italica 74/3 (1997): 412-13
Brian Horne, Literature and Theology 11/1 (1997)
Edward Donald Kennedy, The Comparatist 22 (1998): 204-05
Stephanie Paulsell, Religious Studies Review 24/3 (1998)
Elizabeth Mazzocco, Rivista di studi italiani 16/2 (1998): 554-555
Manfred Lenzen, Deutsches Dante-Jahrbuch 73 (1998): 214-15
John Dally, Journal of Religion 79/2 (1999)
John A. Scott, The Modern Language Review, April 1, 1999
Ronald L. Martinez, Speculum January 1999
Paolucci, Choice
Marcellina Trocarelli, Letteratura Italiana Antica 4 (2003): 524-26
Unpublished reviews by:
Giuseppe Mazzotta
Donald Marshall
Thomas Altizer
David Wood
Cited and/or discussed in:
Dante: Da Firenze all’aldilà (Atti del terzo Seminario dantesco internazionale, Firenze, 9-11 giugno 2000),ed, Michelangelo Picone (Florence: Cesati, 2001), p. 76 (My Italian interventions: pp. 121, 280)
Jennifer Margaret Frazer, Rite of Passage in the Narratives of Dante and Joyce (Gainesville: University Press of Florida, 2002)
Guy Raffa, Divine Dialectic: Dante's Incarnational Poetics (Toronto: University of Toronto Press, 2000)
Amilcare Iannucci, “Already and Not Yet: Dante’s Existential Eschatology,” in Dante for the New Millennium, ed. Teodolinda Barolini and H. Wayne Storey (Fordham University Press, 2003), p. 438.
Giuseppe Ledda, La guerra della lingua: Ineffabilità, retorica e narrative nella Commedia di Dante (Ravenna: Longo, 2002)
Christine O'Connel Bauer, Dante's Hermeneutics of Salvation: Passages to Freedom in the Divine Comedy
(Toronto: University of Toronto Press, 2007)
Rewriting Virgil in the Commedia
Daniel J. Pinti
Christian Moevs
Christian Moevs, The Metaphysics of Dante's Comedy (Oxford: Oxford University Press, 2005)
James Miller, Dante and the Unorthodox: The Aesthetics of Transgression (Canada: Wilfrid Laurier University Press, 2005), pp. 423-24
Sherry Roush, Herme's Lyre: Italian Poetic Self-Commentary from Dante to Tommaso Campanella (2002)
T. A. Hipolito, "Ancient and Modern in Dante's Vita Nuova," Renasence (Winter 2003), p. 16
Else Jongeneel, " Art and Divine Order in the Divina Commedia ," Literature and Theology (2007)
Gregory B. Stone, Dante's Pluralism and the Islamic Philosophy of Religion (2007), p. 285.
Albert Ascoli, Dante and the Making of the Modern Author (2008)
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